It has been a real adventure to create such of a project like Thulnar.
I remember I began to think seriously about it during a hot summer, year 2002, talking with my dear friend Luca (Elric Blackcrow).

It was in the autumn of 2004 when, back home again, I resurrected the old works and suddenly I realized the need to add something new to the entire composition process…
I mean, I had always liked symphonic metal – and I love it even now –, but I felt the necessity to merge it with my aggressive side.

So I imagined classical instruments, acoustic, united with vocal lines sung in screaming, but I wanted orchestra to be a whole with the metal quartet, or quintet, sounding like they were playing in a concert hall at the same time.
My goal was – and is – to treat orchestra’s magnificence not as a mere keyboard, but use its majestic impact. In the end, my first work, named "Thulnar Demo", was recorded for personal use, a rehearsal for the future projects; it has been a project with various influences, a way to improve my skills about the different softwares I use.

Then I spent some months to relax and think about the new stuff.
I knew I had gained experience, so every tune was taking shape day after day.
The making of "The End of the Blissful Days" was less chaotic than before, so from November ‘til springtime 2006 I completed everything.

In 2013 Thulnar first official EP, Nightfall in Theros, was avaiable worldwide.